Non-Exclusive Licensing Agreement Contract

Number of pages: 6
Format: PDF & Word Doc (both versions are free to edit and customise)
This is a professional legal template written by a specialised music law firm
This contract is up to date (last updated in 2012)
This contract has been used by over 400 UK musicians and music companies
Delivery: Instant download - you will automatically receive an email link to download your contract after payment

About this contract

Agreement under which an owner of copyrights grants a license to a company to procure usage for the content (i.e. recordings and compositions) in the form of synchronisation licenses. Such synchronisation licenses are granted to various content users such as TV , film and video games producers. Thanks to the non-exclusive basis of the agreement the copyright owner (i.e. the party granting the license) is allowed to license the same content to other companies during the term of the agreement.

If you're not sure whether this contract is right for you, or you have any problems at all, feel free to get in touch with us and we'll be more than happy to answer any questions you have.
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Frequently Asked Questions

How professional are these contracts? Do they hold up in court?
Quite simply, they’re as professional as music contracts go. Our contract templates are written by professional music lawyers at Avenant Law and have also been double checked and approved by lawyers from one of the major record labels. While they do hold up in court, we still recommend that you run them by your own lawyer to ensure that the template clauses are suitable for your situation.

Do these countries work outside of the United Kingdom?
Our music contracts are based on UK copyright and intellectual property laws, but are most certainly usable for musicians and labels in the United States, Australia, and other countries. If you are looking for these contracts to be legally binding in a country outside of the UK, it’s recommended that you run them by a music solicitor in your country to ensure that all clauses are relevant in the country that the contract is being enforced in. In our experience with writing these contracts for international clients, there are only a few very minor differences, but for professional usage it’s important to ensure they’re changed.

Is there any difference between these contracts and all of the free contracts on the Internet?
There’s a huge difference. We receive a lot of traffic from people looking for free contracts, and we also lose a lot of business to lower quality websites that offer contracts for free, but we stand by the fact that if you want a contract that will hold up in court and protect your music, a small investment will pay huge dividends in the long run.

The free options out there are mostly outdated and lack in professionalism compared to those offered on The Musician’s Guide. The small fee we charge ensures that your contract is up to date, comprehensive, professional, includes after-support and most importantly will protect you and your music.

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